Photo: Laura Lewis
“Every time I start to feel a bit ‘comfortable,’ I like to pull the rug out from under me and do something different and a bit scary,” Ellis-Bextor confides. “It’s good for my head.”
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Photo: Kylie J. Wilkerson
“Each record we have released is authentic to a particular time in our lives,” Linford Detweiler explains. “They are all mile markers on a long road that beckoned to us in our youth.”
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Photo: Ashley Osborn
“Modern love is all around us and it has so much character,” Hennessy says. “It’s a dysfunctional kind of love due to the modern climate we live in, but this album really embraces that.”
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“We’re an anomaly, and get love from a lot of people on both sides of the Detroit hip-hop coin,” Emile explains. “We’re looking to leave our own legacy, independent of what currently exists.”
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“I think it’s a crucial album since we really changed paths there,” Sveningsson explains. “We didn’t want to go on as a ‘retro-sounding’ band so we threw that part away.”
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Two of the most gifted lyricists ever to grip the mic have joined creative forces for their collaborative album ‘XL,’ in stores now.
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Photo: Lauren Thannisch
“These songs ended up being about letting go, starting over, and forgiving people for things,” Gibb says of his latest album ‘Let’s Start Over.’
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Photo: David Doobinin
“The concept of the album, and it became a little bit more than that, was coming to terms with a solitary life and trying to see it in a positive way rather than any other way,” Hatfield explains.
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All Natural take a no frills, strictly skills approach to their music throughout their debut album ‘No Additives, No Preservatives’ (1998).
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Photo: Michael Halsband
“‘Zipless’ is a philosophical act couched as a sexual one, a statement of creative independence,” Daou explains. “Why should I—or anyone—be compromised as an artist, especially as a woman?”
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Photo: Guerin Blask
“My words are the only thing I can absolutely, one-hundred percent control at all times,” Conley confides. “It’s coming out of my mouth, and it’s happening solely in my control.”
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Photo: Ren Rox
“Writing and recording most of the album in rural Somerset was extremely special,” Moss confides. “The elements, trees and moon cycle became the brightest, loudest companions.”
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“We have a responsibility to not look back, to get outside of our comfort zones,” Nicolay confides. “And I think we’ve always made music that we want to make.”
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“I always felt like we were on the outside looking in,” Sarah Blackwood says of the Britpop scene in the ‘90s. “But, this time around, I’m happy being the outsider looking in.”
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“I want to challenge how you feel and how you respond,” Tunstall explains. “I want a record to shift you, where you get on the ride and it takes you somewhere.”
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Photo: Heather Pollock
Cowboy Junkies latest album ‘All That Reckoning’ is an outstanding set that underscores the band’s singularity it’s achieved over a thirty-plus-year career trajectory.
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“’Know Your Enemy’ is an example of the Manics’ iconoclast tendencies,” Naish explains. “But very little has been written about it and its obtuseness has mostly been forgotten or dismissed.”
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‘Record Redux: Madonna’ is the fourth installment of Harrison’s “Record Redux” series following the previous Spice Girls, Carly Simon and Donna Summer volumes.
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“You go through ups and downs, challenges, trials and tribulations,” Brown explains. “But you have to be able to be strong for the ones that you love and for yourself.”
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Credit: Jeff Forney
Kandace Springs’ sophomore studio album ‘Indigo’ is slated to hit stores September 7th courtesy of Blue Note Records.
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