Please join the Albumism team in celebrating Peter Gabriel’s musical legacy and share your personal memories of him with us in the comments below!
Born: February 13, 1950
Biography: As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982's Security, he began to move into the mainstream; "Shock the Monkey" became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986.
Accompanied by a series of groundbreaking videos and the number one single "Sledgehammer," So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992's Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World.
Following his departure from Genesis in 1976, Peter Gabriel began work on the first of three consecutive eponymously titled albums; each record was named Peter Gabriel, he said, as if they were editions of the same magazine. In 1977, his first solo album appeared and became a moderate success due to the single "Solsbury Hill." Another self-titled record followed in 1978, yet received comparatively weaker reviews. Gabriel's third eponymous album proved to be his artistic breakthrough, however. Produced by Steve Lillywhite and released in 1980, the album established Gabriel as one of rock's most ambitious, innovative musicians, as well as one of its most political -- "Biko," a song about a murdered anti-apartheid activist, became one of the biggest protest anthems of the '80s. "Games Without Frontiers," with its eerie chorus, nearly reached the Top 40. [Read more via AllMusic here]
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